Saturday, 8 August 2020

krishna Best Fashion House in sylhet

krishna Best Fashion House in sylhet
 krishna Best Fashion House in sylhet

krishna Best Fashion House in sylhet

krishna Best Fashion House in sylhet
krishna Best Fashion House in sylhet

krishna Best Fashion House in sylhet

 capkrishna Best Fashion House in sylhet

krishna Best Fashion House in sylhet

krishna Best Fashion House in sylhet

krishna Best Fashion House in sylhet

krishna Best Fashion House in sylhet

krishna Best Fashion House in sylhet
krishna Best Fashion House in sylhet

Friday, 17 July 2020

Krishna smart Sari onle one Best Fashion House in sylhet

Krishna smart Sari onle one Best Fashion House in sylhet 
A sari, saree or sharee[note 1] is a women's garment from the Indian subcontinent[1] that consists of an unstitched drape varying from 4.5 to 9 metres (15 to 30 feet) in length[2] and 600 to 1,200 millimetres (24 to 47 inches) in breadth[3] that is typically wrapped around the waist, with one end draped over the shoulder,krishna Best Fashion House in sylhet covering a larger portion of the midriff.[4][5][6] There are various styles of sari manufacture and draping, the most common being the Nivi style, which originated in the Deccan region.[7][8] The sari is worn with a fitted bodice commonly called a choli (ravike in southern India, and cholo in Nepal) and a petticoat called ghagra, parkar or ul-pavadai.[9] In the modern Indian subconti
History of sari-like drapery is traced back to the Indus Valley Civilisation, which flourished during 2800–1800 BCE around the northwestern part of the Indian subcontinent.[4][5][6] Cotton was first cultivated and woven in Indian subcontinent around 5th millennium BCE.[18] Dyes used during this period are still in use, particularly indigo, lac, red madder and turmeric.[19] Silk was woven around 2450 BCE and 2000 BCE.[20][21]
The word 'sari' evolved from 'saatikaa' (sanskrit: शाटिका) mentioned in earliest Hindu literature as women's attire.[22][14] The Sari or Sattika evolved from a three-piece ensemble comprising the Antriya, the lower garment; the Uttariya; a veil worn over the shoulder or the head; and the Stanapatta, a chestband. This ensemble is mentioned in Sanskrit literature and Buddhist Pali literature during the 6th century BCE.[23] This complete three-piece dress was known as Poshak, generic term for costume.[24] Ancient Antriya closely resembled dothi wrap in the "fishtail" version which was passed through legs, covered the legs loosely and then flowed into a long, decorative pleats at front of the legs.[4][25][26] It further evolved into Bhairnivasani skirt, today known as ghagri and lehenga.[27] Uttariya was a shawl-like veil worn over the shoulder or head, it evolved into what is known today known as dupatta and ghoonghat.[28] Likewise, Stanapatta evolved into choli by 1st century CE.[15][16][29][30]
The ancient Sanskrit work, Kadambari by Banabhatta and ancient Tamil poetry, such as the Silappadhikaram, describes women in exquisite drapery or sari.[9][31][32][33] In ancient India, although women wore saris that bared the midriff, the Dharmasastra writers stated that women should be dressed such that the navel would never become visible.[34][35] By which for some time the navel exposure became a taboo and the navel was concealed.[5][36][37] In ancient Indian tradition and the Natya Shastra (an ancient Indian treatise describing ancient dance and costumes), the navel of the Supreme Being is considered to be the source of life and creativity, hence the midriff is to be left bare by the sari.[38][39]
It is generally accepted that wrapped sari-like garments for lower body and sometimes shawls or scarf like garment called 'uttariya' for upper body, have been worn by Indian women for a long time, and that they have been worn in their current form for hundreds of years. In ancient couture the lower garment was called 'nivi' or 'nivi bandha', while the upper body was mostly left bare.[14] The works of Kalidasa mentions 'Kurpasika' a form of tight fitting breast band that simply covered the breasts.[14] It was also sometimes referred to as 'Uttarasanga' or 'Stanapatta'.[14]
Poetic references from works like Silappadikaram indicate that during the Sangam period in ancient Tamil Nadu in southern India, a single piece of clothing served as both lower garment and head covering, leaving the midriff completely uncovered.[31] Similar styles of the sari are recorded paintings by Raja Ravi Varma in Kerala.[40] Numerous sources say that everyday costume in ancient India and till recent times in Kerala consisted of a pleated dhoti or (sarong) wrap, combined with a breast band called 'Kurpasika' or 'Stanapatta' and occasionally a wrap called 'Uttariya' that could at times be used to cover the upper body or head.[14] The two-piece Kerala mundum neryathum (mundu, a dhoti or sarong, neryath, a shawl, in Malayalam) is a survival of ancient clothing styles. The one-piece sari in Kerala is derived from neighboring Tamil Nadu or Deccan during medieval period based on its appearance on various temple murals in medieval Kerala.[41][5][6][42]
Early Sanskrit literature has a wide vocabulary of terms for the veiling used by women, such as Avagunthana (oguntheti/oguṇthikā), meaning cloak-veil, Uttariya meaning shoulder-veil, Mukha-pata meaning face-veil and Sirovas-tra meaning head-veil.[43] In the Pratimānātaka, a play by Bhāsa describes in context of Avagunthana veil that "ladies may be seen without any blame (for the parties concerned) in a religious session, in marriage festivities, during a calamity and in a forest".[43] Thekrishna Best Fashion House in sylhet same sentiment is more generically expressed in later Sanskrit literature.[44] Śūdraka, the author of Mṛcchakatika set in fifth century BCE says that the Avagaunthaha was not used by women everyday and at every time. He says that a married lady was expected to put on a veil while moving in the public.[44] This may indicate that it was not necessary for unmarried females to put on a veil.[44] This form of veiling by married women is still prevalent in Hindi-speaking areas, and is known as ghoonghat where the loose end of a sari is pulled over the head to act as a facial veil.[45]
Based on sculptures and paintings, tight bodices or cholis are believed have evolved between 2nd century BCE to 6th century CE in various regional styles.[46][46] Early cholis were front covering tied at the back; this style was more common in parts of ancient northern India. This ancient form of bodice or choli are still common in the state of Rajasthan today.[47] Varies styles of decorative traditional embroidery like gota patti, mochi, pakko, kharak, suf, kathi, phulkari and gamthi are done on cholis.[48] In Southern parts of India, choli is known as ravikie which is tied at the front instead of back, kasuti is traditional form of embroidery used for cholis in this region.[49] In Nepal, choli is known as cholo or chaubandi cholo and is traditionally tied at the front.[50]
Red is most favored colour for wedding saris and are traditional garment choice for brides in Indian culture.[51] Women traditionally wore various types of regional handloom saris made of silk, cotton, ikkat, block-print, embroidery and tie-dye textiles. Most sought after brocade silk saris are Banasari, Kanchipuram, Gadwal, Paithani, Mysore, Uppada, Bagalpuri, Balchuri, Maheshwari, Chanderi, Mekhela, Ghicha, Narayan pet and Eri etc. are traditionally worn for festive and formal occasions.[52] Silk Ikat and cotton saris known as Patola, Pochampally, Bomkai, Khandua, Sambalpuri, Gadwal, Berhampuri, Bargarh, Jamdani, Tant, Mangalagiri, Guntur, Narayan pet, Chanderi, Maheshwari, Nuapatn, Tussar, Ilkal, Kotpad and Manipuri were worn for both festive and everyday attire.[53] Tie-dyed and block-print saris known as Bandhani, Leheria/Leheriya, Bagru, Ajrakh, Sungudi, Kota Dabu/Dabu print, Bagh and Kalamkari were traditionally worn during monsoon season.[54] Gota Patti is popular form of traditional embroidery used on saris for formal occasions, various other types of traditional folk embroidery such mochi, pakko, kharak, suf, kathi, phulkari and gamthi are also commonly used for both informal and formal occasion.[55][56] Today, modern fabrics like polyester, georgette and charmeuse are also commonly usednent, the sari is considered a cultural icon.[10]

Bangladesh

 krishna Best Fashion House in sylhet

sharee at the Moscow Kremlin in 2013.
Sharee (Bengali: শাড়ি) is the national wear of Bangladeshi women. Most women who are married wear sharee as their regular dress while young-unmarried girls wear sharee as an occasional dress. The sharee is worn by women throughout Bangladesh. Sharee is the most popular dress for women in Bangladesh, both for casual and formal occasion. Although Dhakai Jamdani (hand made sharee) is worldwide known and most famous to all women who wear sharee but there are also many variety of sharees in Bangladesh. There are many regional variations of them in both silk and cotton. e.g.- Tanta/Tant cotton sharee, Dhakai Banarasi sari, Rajshahi silk, Tangail Sari, Tant sari, Tassar silk sharee, Manipuri sharee and Katan sharee are the most popular in Bangladesh. It is the uniform of the air hostesses of Biman Bangladesh Airlines.
 While the sari is typical to traditional wear for women in the Indian subcontinent, clothing worn by women in Southeast Asian countries like Myanmar, Malaysia, the Philippines, Cambodia, Thailand and Laos resemble it, where a long rectangular piece of cloth is draped around the body. These are different from the sari as they are wrapped around the lower-half of body as a skirt, worn with a shirt/blouse and resemble a sarong, as seen in the Burmese Longyi, Filipino Malong and Tapis, Laotian Xout lao and Suea pat, Thai Sbai and Sinh, Cambodian Sampot and Timorese Tais. Saris, worn predominantly in the Indian subcontinent are usually draped with one end of the cloth fastened around the wWhile the sari is typical to traditional wear for women in the Indian subcontinent, clothing worn by women in Southeast Asian countries like Myanmar, Malaysia, the Philippines, Cambodia, Thailand and Laos resemble it, where a long rectangular piece of cloth is draped around the body. These are different from the sari as they are wrapped around the lower-half of body as a skirt, worn with a shirt/blouse and resemble a sarong, as seen in the Burmese Longyi, Filipino Malong and Tapis, Laotian Xout lao and Suea pat, Thai Sbai and Sinh, Cambodian Sampot and Timorese Tais. Saris, worn predominantly in the Indian subcontinent are usually draped with one end of the cloth fastened around the waist, and the other end placed over the shoulder baring the midriffaist, and the other end placed over the shoulder baring the midriff

Central styles krishna Best Fashion House in sylhet

Eastern styles

Silk sari from India (1970, Collection of PFF, Nauplio).
 
 krishna Best Fashion House in sylhet
Bomkai Silk sari of Odisha.
 
 krishna Best Fashion House in sylhet

Western styles

Kota sari.
 
krishna Best Fashion House in sylhet
 
  • paithanpattu - maharashtra
  • yeola sari - maharashtra
  • peshwai shalu - maharashtra
  • mahalsa sari - maharashtra
  • narayanpeth - maharashtra
  • khun fabric - mharashtra
  • karvati tussar sari - maharashtra
krishna Best Fashion House in sylhet Bandhani saris of Gujarat and Rajasthan.

Southern styles

krishna Best Fashion House in sylhet Mysore silk sari with golden zari.
  • Ilkal sari – Karnataka
  • Molakalmuru Sari – Karnataka
  • Sulebhavi sari – Sulebhavi, Karnataka
  • VenkatagiriAndhra Pradesh
  • Mangalagiri Silk saris – Andhra Pradesh
  • Uppada Silk saris – Andhra Pradesh
  • Chirala saris – Andhra Pradesh
  • Bandar saris – Andhra Pradesh
  • Bandarulanka – Andhra Pradesh
  • Kuppadam saris – Andhra Pradesh
  • Dharmavaram silk sari – Andhra Pradesh
  • Chettinad saris – Tamil Nadu
  • Kumbakonam – Tamil Nadu
  • Thirubuvanam – Tamil Nadu
  • Coimbatore cotton – Tamil Nadu
  • Salem silk – Tamil Nadu
  • Chinnalampattu or Sungudi – Tamil Nadu
  • Kandangi – Tamil Nadu
  • Rasipuram silk saris – Tamil Nadu
  • Koorai – Tamil Nadu
  • Arni silk sari – Tamil Nadu
  • Chennai – Tamil Nadu
  • Karaikudi – Tamil Nadu
  • Madurai cotton saris – Tamil Nadu
  • Tiruchirappalli saris – Tamil Nadu
  • Nagercoil saris – Tamil Nadu
  • Thoothukudi – Tamil Nadu
  • Thanjavur saris – Tamil Nadu
  • Tiruppur – Tamil Nadu
  • Kerala sari silk and cotton – Kerala
  • Balarampuram – Kerala
  • Mundum Neriyathum – Kerala
  • Mayilati silk – Kerala
  • Kannur cotton – Kerala
  • Kalpathi silk saris – Kerala
  • Maradaka silk – Kerala
  • Samudrikapuram silk and cotton – Kerala
  • Kasargod – Kerala
krishna Best Fashion House in sylhet Banarasi sari

Northern styles krishna Best Fashion House in sylhet 

Krishna smart shirt only one Best Fashion House in sylhet


Krishna smart shirt only one Best Fashion House in sylhet
Three types of shirt; krishna Best Fashion House in sylhet
  • Camp shirt – a loose, straight-cut, short sleeved shirt or blouse with a simple placket front-opening and a "camp collar".
  • Dress shirt – shirt with a formal (somewhat stiff) collar, a full-length opening at the front from the collar to the hem (usually buttoned), and sleeves with cuffs
  • White shirt - usually dress shirt which its colour is white
  • Poet shirt – a loose-fitting shirt or blouse with full bishop sleeves, usually with large frills on the front and on the cuffs.
  • T-shirt – also "tee shirt", a casual shirt without a collar or buttons, made of a stretchy, finely knit fabric, usually cotton, and usually short-sleeved. Originally worn under other shirts, it is now a common shirt for everyday wear in some countries.
    • Long-sleeved T-shirt – a T-shirt with long sleeves that extend to cover the arms.
    • Ringer T-shirt – tee with a separate piece of fabric sewn on as the collar and sleeve hems
    • Halfshirt – a high-hemmed T-shirt
    • Sleeveless shirt – a shirt manufactured without sleeves, or one whose sleeves have been cut off, also called a tank top
      • A-shirt or vest or singlet (in British English) – essentially a sleeveless shirt with large armholes and a large neck hole, often worn by labourers or athletes for increased movability.
      • Camisole – woman's undershirt with narrow straps, or a similar garment worn alone (often with bra). Also referred to as a cami, shelf top, spaghetti straps or strappy top
  • Polo shirt (also tennis shirt or golf shirt) –krishna Best Fashion House in sylhet a pullover soft collar short-sleeved shirt with an abbreviated button placket at the neck and a longer back than front (the "tennis tail").
    • Rugby shirt – a long-sleeved polo shirt, traditionally of rugged construction in thick cotton or wool, but often softer today
    • Henley shirt – a collarless polo shirt
  • Baseball shirt (jersey) – usually distinguished by a three-quarters sleeve, team insignia, and flat waist seam
  • Sweatshirt – long-sleeved athletic shirt of heavier material, with or without hood
  • Tunic – primitive shirt, distinguished by two-piece construction. Initially a men's garment, is normally seen in modern times being worn by women
  • Shirtwaist – historically (circa. 1890–1920) a woman's tailored shirt (also called a "tailored waist") cut like a man's dress shirt;[14] in contemporary usage, a woman's dress cut like a men's dress shirt to the waist, then extended into dress length at the bottom
  • Nightshirt – often oversized, ruined or inexpensive light cloth undergarment shirt for sleeping.
  • Halter top – a shoulderless, sleeveless garment for women. It is mechanically analogous to an apron with a string around the back of the neck and across the lower back holding it in place.
  • Top shirt –krishna Best Fashion House in sylhet a long-sleeved collarless polo shirt
  • Heavy shirt – a shirt with the heavy size that covers up under the neck
  • Onesie or diaper shirt – a shirt for infants which includes a long back that is wrapped between the legs and buttoned to the front of the shirt
  • Tube top (in American English) or boob tube (in British English) – a shoulderless, sleeveless "tube" that wraps the torso not reaching higher than the armpit, staying in place by elasticity or by a single strap that is attached to the front of the tube
  • Punishment shirts were special shirts made for the condemned, either those cursed supernaturally, such as the poisoned shirt that killed Creusa (daughter of Creon), the Shirt of Nessus used to kill Hercules, those used to execute people in ancient Rome, such as the Tunica molesta, and those used in church heresy trials, such as the Shirt of Flame, or the Sanbenito

Parts of shirt

Many terms are used to describe and differentiate types of shirts (and upper-body garments in general)krishna Best Fashion House in sylhet and their construction. The smallest differences may have significance to a cultural or occupational group. Recently, (late twentieth century, into the twenty-first century) it has become common to use tops as a form of advertisement. Many of these distinctions apply to other upper-body garments, such as coats and sweaters.

Shoulders and arms

Sleeves

Shirts may: krishna Best Fashion House in sylhet
  • have no covering of the shoulders or arms – a tube top (not reaching higher than the armpits, staying in place by elasticity)
  • have only shoulder straps, such as spaghetti straps
  • cover the shoulders, but without sleeves
  • have shoulderless sleeves, short or long, with or without shoulder straps, that expose the shoulders, but cover the rest of the arm from the biceps and triceps down to at least the elbow
  • have short sleeves, varying from cap sleeves (covering only the shoulder and not extending below the armpit) to half sleeves (elbow length), with some having quarter-length sleeves (reaching to a point that covers half of the biceps and triceps area)
  • have three-quarter-length sleeves (reaching to a point between the elbow and the wrist)
  • have long sleeves (reaching a point to the wrist to a little beyond wrist)

Cuffs

Shirts with long sleeves may further be distinguished by the cuffs:krishna Best Fashion House in sylhet
  • no buttons – a closed placket cuff
  • buttons (or analogous fasteners such as snaps) – single or multiple. A single button or pair aligned parallel with the cuff hem is considered a button cuff. Multiple buttons aligned perpendicular to the cuff hem, or parallel to the placket constitute a barrel cuff.
  • buttonholes designed for cufflinks
    • a French cuff, where the end half of the cuff is folded over the cuff itself and fastened with a cufflink. This type of cuff has four buttons and a short placket.
    • more formally, a link cuff – fastened like a French cuff, except is not folded over, but instead hemmed, at the edge of the sleeve.
  • asymmetrical designs, such as one-shoulder, one-sleeve or with sleeves of different lengths.

Lower hem krishna Best Fashion House in sylhet

  • hanging to the waist
  • leaving the belly button area bare (much more common for women than for men). See halfshirt.
  • covering the crotch
  • covering part of the legs (essentially this is a dress; however, a piece of clothing is perceived either as a shirt (worn with trousers) or as a dress (in Western culture mainly worn by women)).
  • going to the floor (as a pajama shirt)

Body krishna Best Fashion House in sylhet

  • vertical opening on the front side, all the way down, with buttons or zipper. When fastened with buttons, this opening is often called the placket front.
  • similar opening, but in back.
  • left and right front side not separable, put on over the head; with regard to upper front side opening:
    • V-shaped permanent opening on the top of the front side
    • no opening at the upper front side
    • vertical opening on the upper front side with buttons or zipper
      • men's shirts are often buttoned on the right whereas women's are often buttoned on the left.

Neck krishna Best Fashion House in sylhet

  • with polo-neck
  • with "scoop" neck
  • with v-neck but no collar
  • with plunging neck
  • with open or tassel neck
  • with collar
    • windsor collar or spread collar – a dressier collar designed with a wide distance between points (the spread) to accommodate the windsor knot tie. The standard business collar.
    • tab collar – a collar with two small fabric tabs that fasten together behind a tie to maintain collar spread.
    • wing collar – best suited for the bow tie, often only worn for very formal occasions.
    • straight collar – or point collar, a version of the windsor collar that is distinguished by a narrower spread to better accommodate the four-in-hand knot, pratt knot, and the half-windsor knot. A moderate dress collar.
    • button-down collar – A collar with buttons that fasten the points or tips to a shirt. The most casual of collars worn with a tie.
    • band collar – essentially the lower part of a normal collar, first used as the original collar to which a separate collarpiece was attached. Rarely seen in modern fashion. Also casual.
    • turtle neck collar – A collar that covers most of the throat.
  • without collar
      • V-neck no collar – The neckline protrudes down the chest and to a point, creating a "V"-looking neckline.

Other features krishna Best Fashion House in sylhet

  • pockets – how many (if any), where, and with regard to closure: not closable, just a flap, or with a button or zipper.
  • with or without hood
Some combinations are not applicable, e.g. a tube top cannot have a collar.

Measures and sizes krishna Best Fashion House in sylhet

The main measures for a jacket are:
  • Shoulders
  • Bust
  • Waist
  • Hip
  • Sleeve
  • Length, from the neck to the waist or hip.

Sizes krishna Best Fashion House in sylhet

  • Asia Size M = US/EU Size XS.
  • Asia Size L = US/EU Size S.
  • Asia Size XL = US/EU Size M.
  • Asia Size XXL = US/EU Size L.
  • Asia Size XXXL = US/EU Size XL.
  • Asia Size XXXXL = US/EU Size XXL.

Types of fabric krishna Best Fashion House in sylhet

There are two main categories of fibres used: natural fibre and man-made fibre (synthetics or petroleum based). Some natural fibres are linen, the first used historically, hemp, cotton, the most used, ramie, wool, silk and more recently bamboo or soya. Some synthetic fibres are polyester, tencel, viscose, etc. Polyester mixed with cotton (poly-cotton) is often used. Fabrics for shirts are called shirtings. The four main weaves for shirtings are plain weave, oxford, twill and satin. Broadcloth, poplin and end-on-end are variations of the plain weave. After weaving, finishing can be applied to the fabric.

Shirts and politics krishna Best Fashion House in sylhet

In the 1920s and 1930s, fascists wore different coloured shirts:
In addition, red shirts have been used to symbolize a variety of different political groups, including Garibaldi's Italian revolutionaries, nineteenth-century American street gangs, and socialist militias in Spain and Mexico during the 1930s.
Different colored shirts signified the major opposing sides that featured prominently in the 2008 Thai political crisis, with red having been worn by the supporters of the populist People's Power Party (PPP), and yellow being worn by the supporters of the royalist and anti-Thaksin Shinawatra movement the People's Alliance for Democracy (PAD). Each side is commonly referred to as the 'red shirts' and 'yellow shirts' respectively, though the later opponents of the later Thaksin supporting groups have largely ceased wearing yellow shirts to protest rallies.